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Photo of Judas's Gospel
(National Geographic)




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coliseo Immortality and union with god led thousands of Christians to dying tortured by the faith put in Jesus Christ; and, as Teacher, also he endured it. I have not found more beautiful and expressive photo that that of the clock integrated to the Roman colyceum, to reflect this one threw and Jesus's education.
His student, deep, conceals this one in his words, parables and his life itself.
Today, it is re-arising strongly all those apocryphal writings that were pushed back. With them, Jesus's words re-arise interpretation places us in the Gnosis. In one of these writings he says: "... That that one who looks does not stop doing it until he finds; then, wax confused and it is true; and later, wax astonished ... ".
The book that presented you has two definite well parts:
  1. The puzzler of Renne-Le-Chateau. It is necessary to come to the references that I indicate.
  2. Interpretation the apocryphal texts.

The book does not have pretententions literary only of announcing the foundation of Jesus's real education: Science of the Universe

Hector Jose

The photo of the colyceum is taken of www.mido.ch

"Como manzanas de oro en entalladuras de plata es una palabra hablada al tiempo apropiada para ella" (Provervio 25)This small statuette is a part of the decoration of the National State-run hotel of Cardona (Barcelona). After having read this book: how much with can clusiones extract of his symbolism? Be fixed in the detail of which the child is indicating a Way...
Until  a  few  years  ago  there was exploited  the  mine  of  salt  - gem and  potash,  in Cardona.  Ten  years  ago,  in  a  visit  to  his  National State-run  hotel,  I discovered a  very showy statuette,  which  was  placed  in  reception;  now  he  is  in a small lounge, antechamber of the snack bar. Already then it called me  very  much the  attention,  since  in  her  there  are seen  clearly  a  few engravings, which  symbolisms,  then,  he  was  not knowing.  He  reminded me  to  Ciro Azore de Juan, that it was mentioning Cardona in his opúsculo, and I asked myself if it wanted to refer to this statuette, without mentioning it.
Now, I have wanted to put more accent to the topic, looking for the reference of the statuette.
For  it,  I have  done  investigations  with  three  experts  in  art:  Mister  Rafael Ponsatí  de  la  Bisbal,  famous  antiquarian,  of  international  prestige;  mister  Joaquín  Asturiol,  of  Barcelona,  famous  restorer;  and  mosen  Gros de  Vic  (Barcelona),  person in  charge and  custodian  of  the  episcopal library
of Vic. They all coincide that the statuette is of baroque art and place it between  the  XVIIth  and  XVIIIth  centuries.  Mister  Asturiol  tints  that,  as  much  behind, it  places it  at  the  end  of the  XVIIth  century;  mister  Gros,  meanwhile,  it  locates  it  in  the middle of the XVIIIth century, but, since it is a popular art there is a margin of
he doubts. Mister Ponsatí confirms to us that he was he who sold the statuette to the National State-run hotel of Cardona. It does not exhibit document or photographs someone,  I imagine  his  big  file.  Mister  Asturiol  teaches  us  a  photography of  an  almost  identical child;  it  does  not  rest  on  a  pedestal,  but it is  clear  that  it  was.  Of  it it is deduced...